X
- 2018
- G
- Neon
- 1 h 27 m
- 2018
- G
- Neon
- 1 h 27 m
Summary A documentary presenting Aretha Franklin with choir at the New Bethel Baptist Church in Watts, Los Angeles in January 1972.
Directed By: Alan Elliott, Sydney Pollack
- 2018
- G
- Neon
- 1 h 27 m
- 2018
- G
- Neon
- 1 h 27 m
Amazing Grace
8.1
Where to Watch
Not available in your country?
ExpressVPN
Get 3 Extra months free
$6.67/mth
Summary A documentary presenting Aretha Franklin with choir at the New Bethel Baptist Church in Watts, Los Angeles in January 1972.
Directed By: Alan Elliott, Sydney Pollack
Where to Watch
Not available in your country?
ExpressVPN
Get 3 Extra months free
$6.67/mth
Top Cast
Metascore
Universal Acclaim
Based on 28 Critic Reviews
94
100% Positive
28 Reviews
28 Reviews
0% Mixed
0 Reviews
0 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Universal Acclaim
Based on 28 Critic Reviews
94
100% Positive
28 Reviews
28 Reviews
0% Mixed
0 Reviews
0 Reviews
0% Negative
0 Reviews
0 Reviews
Holy Moses! (No need to desecrate this with any more words.)
Amazing Grace is a showcase of one of America’s greatest talents and a rush of pure spiritual uplift. There are only so many ways to praise Franklin’s voice and they all fall short – just go and hear it for yourself.
User Score
Universal Acclaim
Based on 39 User Ratings
8.1
87% Positive
34 Ratings
34 Ratings
10% Mixed
4 Ratings
4 Ratings
3% Negative
1 Rating
1 Rating
User Score
Universal Acclaim
Based on 39 User Ratings
8.1
87% Positive
34 Ratings
34 Ratings
10% Mixed
4 Ratings
4 Ratings
3% Negative
1 Rating
1 Rating
Spellbinding. Finally, an indie film that isn't geared toward hipsters, and reveals itself to be even more indispensable than the original double album.
Report
You get both the most lovely gaze a professional camera’s ever laid upon Aretha Franklin and some of the mightiest singing she’s ever laid on you. The woman practically eulogizes herself. Don’t bother with tissues. Bring a towel.
Amazing Grace is a movie worth seeing and re-seeing and re-seeing again, a testament to the Queen of Soul at the height of her powers, live, in full color, in rich sound, resplendent.
Both in spite of and because of the dichotomy, Amazing Grace demands to be seen, preferably in a crowded, testifying theater. The movie allows us the great, rare privilege of seeing (and hearing) the Queen of Soul reclaiming her soul, by herself, for herself, for her God.
When a parishioner leaps to her feet, her spirit clearly moved, you’ll want to do the same. Wholy Holy indeed.
Amazing Grace will not enter the pantheon of concert films — it's somewhat shapeless as a movie, and gives little sense of emotional insight into the performer. But it does contain moments of bliss: As astonishing as the sound of Franklin's singing in 1972 remains, watching her do it is even better.
In 1972, Aretha Franklin spent 2 nites recording the titular album and it became the biggest gospel LP ever. This film documents the event. The filming is grainy and sometimes sloppy, but it doesn't matter. It's all about Aretha and her incredible ability. Backed by a wonderful choir led by James Cleveland and Alexander Hamilton, she makes every note a masterpiece. Not only is the gospel electric, this momentous event reinforces why Franklin is the greatest soul singer of our time.
Report
I'm not a religious person so I am generally not a fan of church music, but there's just something different about it when Aretha Franklin is singing it. It's absolutely magical and when she stops singing you just want her to immediately start another song. This documentary is pretty barebones, and that's how it should be. It puts her performance in the spotlight and that's it. There's no voice over or interviews, only the performance. This is a must watch for, well, everyone...regardless of your religious perspective.
Report
This film is all about the music performance, which is wonderful. It is well worth seeing on a large screen with theater quality audio. I am not a religious person, but I was moved to tears.
Report
“Amazing Grace” is a revelation. That this documentary even exists is a miracle.
In January, 1972, a 29-year-old Aretha Franklin recorded a live gospel album. Over two days, with the help of Rev. James Cleveland (himself a well-known gospel singer), the Southern California Community Choir and the studio musicians who had helped make her the Queen of Soul on Atlantic Records, Aretha recorded at the New Temple Missionary Baptist Church in Watts, Los Angeles. “Amazing Grace,” the resulting album, became the best-selling gospel recording of all time.
The songs selected for the album, and indirectly the film, are an eclectic blend. They include traditional gospel hymns, a mash-up of Carole King’s “You’ve Got a Friend” with the gospel tune “Precious Lord,” Marvin Gaye’s “Wholy Holy.” With my Baptist upbringing, I was literally sobbing throughout “What a Friend We Have in Jesus” and “Amazing Grace” – with Aretha in full flight, the choir in full-throated response and the audience in rapture. In fairness, my wife, one of the more empathic souls on the planet, was completely dry-eyed and found the film “an interesting anthropology lesson.” So your experience may vary.
Sensing that something magical was about to happen during these recording sessions, Warner Brothers studio (which owned Atlantic Records) hired director Sidney Pollack to document the proceedings. With five cameramen, he recorded every moment. The result was over twenty hours of audio recording and over 1500 video scenes, including shots of Mick Jagger standing, clapping and singing (the Stones were in LA to record “Exile on Main Street”). The structure of this documentary is quite bare-bones. There are almost no side conversations, no voiceovers for context and no interviews with any of the participants. This austere structure allows Pollack and his crew to focus on the most important task – capturing Aretha singing at the height of her powers, often in extreme close-up.
Now on to the miraculous part. Presumably because they were filming and recording a live performance, Pollack and his crew never “slated the scenes” (using the wood clapper to mark the beginning of the upcoming scene). In 1972, slating the scene was the only way to accurately sync 16mm video with the audio, which came from two different sources. After months of effort, including hiring Choir Director Alexander Hamilton for $200/week to lip-read some of the video, producers decided this problem was insurmountable. The project was abandoned and the materials shelved for decades.
In 2007, Producer Alan Elliott purchased the raw footage from Warner Brothers, unaware of the syncing problem. Fortunately, what was impossible in 1972 could by then be conquered through digitization. However, because the tapes had sat in a basement unattended for over 35 years, they first had to be “re-baked” (literally placed in an oven and heated to over 130 degrees) so they would not disintegrate while being digitally processed. The finally-synced footage was edited into the final version of the documentary by 2015. For reasons unknown, Aretha then sued to block release. Only after a screening for Franklin’s family following Aretha’s death last year did her estate eventually allow the film to be shown publicly.
So, this documentary is forty-seven years in the making, but wow, was it worth the wait. “Amazing Grace” – how sweet the sound!
Report
Production Company
40 Acres & A Mule Filmworks,
Al's Records And Tapes,
Rampant,
Sundial Pictures,
Time Studios,
Time,
Warner Bros.
Release Date Nov 23, 2018
Duration 1 h 27 m
Rating G
Genres
Tagline The voice of a legend. The performance of a lifetime.
Awards
Critics' Choice Documentary Awards
• 2 Nominations
Music City Film Critics' Association Awards
• 2 Nominations
Image Awards (NAACP)
• 1 Win & 1 Nomination